Part of Holiday Classics
Glamour has never been more grotesque than in FEMALE TROUBLE, which injects the Hollywood melodrama with anarchic decadence. Divine, director John Waters’ larger-than-life muse, engulfs the screen with charisma as Dawn Davenport — the living embodiment of the film’s lurid mantra, “crime is beauty” — who progresses from a teenage nightmare hell-bent on getting cha-cha heels for Christmas to a fame monster whose egomaniacal impulses land her in the electric chair. Shot in Waters’ native Baltimore on 16mm with a cast drawn from his beloved troupe of regulars, the Dreamlanders (including Mink Stole, David Lochary, Mary Vivian Pearce, Edith Massey and Cookie Mueller), this film — the director’s favorite of his work with Divine — comes to life through the tinsel-toned vision of production designer Vincent Peranio and costume designer/makeup artist Van Smith. An endlessly quotable fan favorite, FEMALE TROUBLE offers up perverse pleasures that never fail to satisfy.
